Tag Archives: mary shelley

Mary Shelley’s The Last Man: A Gothic Sci-Fi Journey

Mary Shelley has an impression on this blog, as her most famous work is easily referential. That is to say, the convenience of referencing Frankenstein: Modern Prometheus as an exemplar for gothic-horror novels is practical. However, throughout her career, Shelley published more novels that stayed within the same science fiction/grounded-in-realism genre. In the The Last Man buy Mary Shelley, the author explores these themes once again.

Summary of The Last Man by Mary Shelley

Shelley’s The Last Man tells the story of Lionel Verney. Lionel is an orphan and works as a shepherd. and his friends and family. After meeting Adrian, the former prince of England, Lionel encounters a wider world of knowledge and intellect. After the return of a war hero, Raymond, and the marriage of Lionel’s sister, Perdita, to the former, the story ramps up.

Raymond is killed in an explosion in the plague-ridden city of Constantinople. In response to this, Perdita flings herself from the homeward vessel and drowns herself at sea. No doubt from a broken heart. Afterward, a plague breaks out, and the survivors tread through an apocalyptic England until only Lionel remains. The novel explores the themes of love, loss, and survival.

Book blurb

From the back of the book: “Her 1826 novel, The Last Man, reflects Shelley’s fears about civilization and the shortcomings of human behavior. The narrarator discovers a prophetic manuscript, written in 2100 by the last survivor of the twenty-first century apocalyps, which recounts how a deadly plague spread throughout Europe and the world. The scribe, Lionel Verney, describes a world that is both fantasy, and a reflection of Shelley’s reality. She used this novel to scrutinize the machinations of politics and philosophy, and reflect upon pitfalls of human behavior—selfishness, brutality, pride—that she saw in the world around her” (Shelley).

Critical Response to The Last Man

Reception to the book is either ecstatic or (hyper) critical. On Goodreads, it has a rating of 3.36 with a majority of readers giving the book three stars out of five. Some reviewers have pointed out the timeliness of the novel in the wake of the pandemic. Likewise, others have pointed out the “poetic” prose and execution of the story itself. Less favorable reviews have critiqued the pacing and likened the book to reading a “telephone book” and finding the experience disappointing.

Impressions

I like Mary Shelley’s ideas, but I am not a huge fan of her writing. I find that she suffers from Gothic-fever in the worst way. Slow builds are nice, but so are evenly paced stories with exciting climaxes. Bram Stoker’s Dracula has an interesting form (epistolary), excellent build, and a third act that explodes the slow-burn novel. Yet, not all writers approach the genre the same, but The Last Man by Mary Shelley shows the adroitness and technique of the writer. Nonetheless, this story intrigues me, which is why I have a copy.

Works Cited

Shelley, Mary. The Last Man. Digireads Publishing. March 24, 2020. Print.

Gothic elements in Mary Shelley’s Frankenstein

Mary Shelley’s Frankenstein is a Gothic/Romantic novel dreamt up by an 18-year-old Shelley after a rigorous debate about moldy cheese between her husband and his colleague Lord Byron. Having been put to a challenge, Shelley wrote a story to show her literary dominance. Out of her momentary brilliance popped the immortal Frankenstein, a story of a God-complex, madness, and love. In this post, we are going to examine how Shelley’s novel fits the description of the gothic genre.

What is the gothic genre?

The gothic genre originated in the 18th century. It is a literary and artistic movement characterized by the mysterious, supernatural, and macabre. Similarly, it often features eerie settings. These include ancient castles, gloomy landscapes, and decaying mansions to create an atmosphere of suspense and dread.

The genre frequently explores themes of madness, death, sin of the spirit, and the unknown. As such, readers often find tales of haunted protagonists encountering ghosts, monsters, or other supernatural elements.

Gothic texts delve into the darker aspects of human nature. And, it explores the psychological and emotional realms while often incorporating elements of horror and romance.

Brief synopsis of Frankenstein

The novel follows Dr. Frankenstein as he tells his story of obsession to a ship captain. The story details the doctor’s search for the secret of life. Frankenstein achieves his goal by bringing back to life to an abomination. The creature is so horrible that it terrifies him enough to cause the doctor to flee in terror.

After the monster educates himself in solitude, he returns to the doctor to ask for the creation of a mate. Loneliness has consumed his life. Dr. Frankenstein agrees–only to destroy the second monster at the last moment (due to moral quandaries of the soul). Frankenstein’s actions enrages the monster. Afterward, the monster then sets itself about murdering Dr. Frankenstein’s loved ones. He does this in retribution, and he adeptly completes this grim objective.

Dr. Frankenstein gives chase to destroy the monster. After a long pursuit through the desolate arctic, Dr. Frankenstein succumbs to sickness. He dies aboard the ship of Captain Robert Walton, who was bound for the North Pole. The monster returns and finds Dr. Frankenstein dead. He decides to end his own life by traveling as far north as possible and into the freezing ice.

How Frankenstein fits the gothic genre

  • Setting

First, it fits the genre through its atmospheric setting, thematic elements, and exploration of the macabre. That is to say, the novel unfolds against a backdrop of desolate landscapes, from the icy vastness of the Arctic to the isolated laboratories where Frankenstein conducts his experiments. These settings contribute significantly to the Gothic atmosphere, which gives the reader a sense of loneliness and terror that is characteristic of the genre.

  • Themes

The thematic elements in Frankenstein align closely with gothic conventions. The narrative delves into the consequences of scientific ambition (becoming God), as Frankenstein’s relentless pursuit of knowledge leads to the creation of a grotesque and tormented monster.

The novel grapples with existential questions surrounding life and death, morality, and the limits of scientific experimentation (think about how vivisection was in vogue at one point). Shelley’s exploration of the darker facets of human nature, the consequences of playing god, and the impact of isolation on the psyche all resonate with Gothic sensibilities.

  • Tropes

Moreover, the novel incorporates gothic tropes such as the supernatural and the grotesque. Frankenstein’s creation embodies the macabre—a stitched-together amalgamation of body parts brought to life through untested knowledge. The monster’s existence as an outcast, rejected by society, adds a layer of tragedy and horror, reflecting the theme of the monstrous and the misunderstood, which factors in the gothic genre.

  • Tone

The narrative’s gothic tone is enhanced by the sense of dread and impending doom in the story. Frankenstein’s descent into madness and the haunting pursuit of revenge by his creation contribute to the overall atmosphere of suspense and horror. Furthermore, the novel is slowly paced as per gothic tradition. This adds layers of complexity, reinforcing the gothic tradition of intricate and mysterious storytelling.

In conclusion

In summary, Mary Shelley’s Frankenstein embodies the gothic genre through its settings, themes, tropes, and overall tone. These elements achieve a legendary status in the novel due to Shelley’s ability to weave her narrative with intelligence and empathy. Frankenstein is a quintessential gothic novel, and it will continue to be the reference point for future authors of the genre for many years to come.