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Emily Dickinson’s “One Need Not be a Chamber — to be Haunted”: Analysis
Today we examine Emily Dickinson’s “Ghosts,” which speaks of multiple kinds of hauntings, literal and figurative.
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Writer Henry James’ Social and Psychological Writing Style
Henry James, born in 1843 and known for complex storytelling, wrote famous works like The Turn of the Screw.
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“The Adventures of Robin Hood” by Roger Lancelyn Green: Summary and Review
The Adventures of Robin Hood by Roger Lancelyn Green is a classic children’s book with a social justice theme. It has received mixed reviews on…
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Close Reading Techniques for Symbolism
Symbolism in literature can be tricky, but using close-reading techniques can help you better understand a text.
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How to create better pacing in narrative writing
Narrative writing encompasses creating fictional or nonfictional stories, incorporating characters, plot, setting, conflict, and theme. Pacing controls a story’s speed, achieved through actions, cliffhangers, dialogue,…
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“Robin Hood’s Progress to Nottingham”: Analyzing the English Ballad
Today we examine Robin Hood’s portrayal in the ballad “Robin Hood’s Progress to Nottingham.”
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J.C. Holt’s ‘Robin Hood’: Separating Fact from Fiction
J.C. Holt’s “Robin Hood” offers a historical analysis of the legendary figure, separating fact from fiction and examining his cultural evolution. The book has received…
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How to Use Imagery and Figurative Language in Writing
This post discusses the importance of imagery and sensory language in writing to engage readers effectively.
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Archery in Robin Hood: Portrayal and Historical Context
The role of archery is central in Howard Pyle’s The Merry Adventures of Robin Hood, reflecting the hero’s skill, honor, and defiance. Medieval archery was…
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“Robin Hood and Guy of Gisborne”: Summary and Analysis
Today on the blog we analyze “Robin Hood and Guy of Gisborne.” Join us to learn more!
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‘The Outlaws of Sherwood’ by Robin McKinley: Summary and Review
McKinley’s The Outlaws of Sherwood retells Robin Hood’s story with complexity and modern language, drawing mixed reviews and departing from Pyle’s tone.