While Fielding’s work wasn’t solely responsible for the Theatrical Licensing Act of 1737, it was plays like this that caused the upper crust of the political pizza to curse, frown, and feel dejected at being made fun of by artists. After all, being in politics doesn’t mean you have thick skin.
The Harlem Renaissance was a period between 1910 and the mid-1930s that saw a large amount of Blacks generating art from Harlem in New York City.
Ralph Ellison won the National Book Award in 1952 for the only novel he ever published. That novel […]
I recently stumbled across Henry Fielding and looked over his body of work…and didn’t recognize anything. This, of […]
Andrew Marvell was a “metaphysical” poet and satirist who wrote “To His Coy Mistress,” somewhere between 1650 and […]